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Kyung Wha Chung


Official Website of the Violin Legend

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Kyung Wha Chung


Official Website of the Violin Legend

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Biography


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Biography


“Simply, relentlessly, magnificent: a miracle of momentum and humanity” (The Sunday Times), Kyung Wha Chung is recognised throughout the world as one of the finest violinists of her generation.  A prolific recording artist, her dazzling and probing artistry has made her a much-acclaimed performer throughout her fifty-year career.  Lauded for her passion, her musicality, and the intense excitement that she brings to her performances, Chung’s uniquely expressive interpretations of the violin literature have established her as an artist of the very highest stature.  Born in South Korea, Chung first heard the violin at the age of six.  Instantly mesmerised by its tone, she was swiftly recognised as a child prodigy, making her concert debut aged nine with the Seoul Philharmonic Orchestra, performing the Mendelssohn Violin Concerto.  At thirteen, Chung enrolled at The Juilliard School, New York, and began studying with renowned pedagogue Ivan Galamian, and later with Joseph Szigeti.

Upon winning the prestigious Edgar Leventritt Competition in 1967, Chung was immediately engaged by major American orchestras – including the Chicago Symphony Orchestra and the New York Philharmonic – and also performed at the exclusive White House Gala.  She made her sensational European debut in 1970, performing the Tchaikovsky Violin Concerto with Sir André Previn and the London Symphony Orchestra, at London’s Royal Festival Hall.  This concert was met with great critical acclaim and public attention, and Chung immediately received offers of concerts throughout the United Kingdom.  Subsequently obtaining an exclusive recording contract with Decca/London, Chung’s debut album – of the Tchaikovsky and Sibelius concertos with Sir André Previn and the London Symphony Orchestra – brought her to international attention, and she continued to perform with the world’s greatest orchestras (including the Berlin Philharmonic, Vienna Philharmonic, London Philharmonic and Boston Symphony Orchestra, amongst others).  Throughout her career, Kyung Wha Chung has enjoyed working alongside the world’s finest conductors, including Claudio Abbado, Daniel Barenboim, Charles Dutoit, Bernard Haitink, Riccardo Muti, Sir André Previn, Sir Simon Rattle, Sir Georg Solti and Klaus Tennstedt.  Her chamber music partnerships have included such high calibre pianists as Peter Frankl, Kevin Kenner, Stephen Kovacevich, Radu Lupu, and Krystian Zimerman.

Kyung Wha Chung has recorded numerous award-winning albums, and her extensive discography reflects the impressive breadth of her repertoire.  Following her recording contract with Decca/London, in 1988 Chung subsequently signed for a period with EMI Classics, and also released recordings with RCA and Deutsche Grammophon.  Winner of two Gramophone Awards (the first, for her Deutsche Grammophon album of Strauss and Respighi sonatas with Krystian Zimerman; the second, for her EMI recording of Bartók’s Second Violin Concerto with Sir Simon Rattle), Chung has also received many prizes and top honours – including the Medal of Civil Merit from the South Korean government, and the Ho Am Prize for the Arts in 2011.

Following an injury to her hand, Chung took a break from performing in 2005.  During this time away from the stage, she found a new calling as a teacher, joining the faculty of her alma mater, The Juilliard School.  In addition to this, Kyung Wha Chung is Chair Professor for Music at Ewha University in Seoul, and Charity Ambassador for Better World (an active patron for their Child Rescue Project in Africa).  She was also the Artistic Director of the PyeongChang Music Festival (formerly Great Mountains Music Festival & School), South Korea, until 2018.  Five years after her retirement, 2010 marked Chung’s triumphant return to the Asian stage.  Greeted by enthusiastic audiences and the highest critical acclaim, in 2013 she embarked on an extensive Asian tour of fifteen major cities.  She made her much anticipated return to the European concert platform in 2014/2015, with a UK tour culminating in a sensational sold-out recital at London’s Royal Festival Hall.

Kyung Wha Chung has since signed an exclusive international record contract with Warner Classics, the first release of which (Solo Bach Sonatas & Partitas) was released during the 2016/2017 concert season, with complete performances at NCPA Beijing, Suntory Hall, The Barbican Centre, and Carnegie Hall.Other recent and forthcoming highlights include opening the Verbier Festival, subscription concerts with Sir Antonio Pappano and the Accademia Nazionale di Santa Cecilia (partnered by a tour to the Abu Dhabi Festival), work with both Tokyo Philharmonic and Staatskapelle Dresden with Myung-Whun Chung, and extensive Asian recital touring with sensational young Chopin prize-winner Seong-Jin Cho, to whom Chung has been a mentor for many years.

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Concerts


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Concerts


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News


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News


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Gallery


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Gallery


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Recordings


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Recordings


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Reviews


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Reviews


A profoundly insightful musician.
— Gramophone
Her fervour, which belies her age and rivals that of younger performers, is marvellous… radiant playing, full of boldness. Kyung Wha Chung’s readings can stand alongside the best and most illustrious of her peers for sheer sensuality of playing. Refinement in its purest state.
— Diapason, 2018
The 70-year-old violinist displayed rock-solid intonation, a smooth bow arm, and the sizzling passion that always gave her recordings of the Romantic concerto repertoire such excitement.
— South Florida Classical Review, 2018
Luminous lyricism and drama…the performance of Franck’s Sonata has the stamp of authority. The recitative of the third movement is heroic: this is heart-on-sleeve playing, urgent, passionate, and anguished…
— The Strad (Review on 'Beau Soir'), 2018
An interpretation graced with her inimitably projected upper register, learnt almost half a century ago at the feet of Ivan Galamian in New York, and nurtured by her ever since…Chung plays with the confidence and inner security of one who has nothing to prove.
— The Arts Desk (Peter Quantrill), 2018
One of the most mesmerising and enjoyable performances I can remember.
— The Strad (2017)
A sound of utter resplendency, a brilliantly shining tone right across the instrument…simply, relentlessly magnificent.
— The Sunday Times
What a marvel is South Korean violinist Kyung Wha Chung…rich impassioned sound…immaculate definition…a miracle of momentum and humanity.
— The Herald, Scotland
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Contact


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Contact


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